Showing newest posts with label RnB. Show older posts
Showing newest posts with label RnB. Show older posts

Tuesday, September 9, 2008

New Kids on the Block Return for the Music


In case you haven't heard of New Kids on the Block, they were one of the first groups to really the start the boy band music phase. They formed in 1984 with the aid of producer Maurice Starr, but didn't really become big until the late 80s with their second album, Hangin' Tough. Danny Wood, Jonathan Knight, Donnie Wahlberg, Jordan Knight, and Joey McIntyre soon became household names and teen idols. After sold-out arena concerts, chart-topping singles, and a giant media & merchandising blitz that included their own cartoon, they disbanded in 1994 due to the changing music scene and feeling burnt out. There have been many attempts to bring them back together for a reunion, but this time they are coming back on their own terms and for their own reasons. After being dictated for so long and having limited control over their careers, frontman Donnie Wahlberg spearheaded the comeback to make it all about the music. With such a positive reaction surrounding their resurgence, their new album, The Block was met with much anticipation and hype. While they are known more for their ability as performers and entertainers rather than amazing vocalists, the new music was still slightly disappointing.


The members of NKOTB first started working together in late 2007 after a demo of a song called "Click Click Click" by singer/producer Nasri made its way to Donnie. After contacting the rest of the group, that was the first track to really inspire their big comeback. While their return was supposed to remain low-key, internet leaks soon led them to show their hand early and push the project up in the schedule. With Donnie putting his acting career on hiatus, Jordan, Joey, and Danny placing their solo careers on hold, and Jon coming back to the entertainment industry after leaving real estate, they placed a huge bet on trying again. The reception has been astounding, with their young fan base now adults and with kids of their own. With all of the guys pushing 40, the irony of being called "New Kids" is a point much of the media like to make. They have been fighting for musical credibility since their old days, with accusations of lip-syncing and many of their big hits being written for them. While their 1994 album, Face the Music really showcased their singing talent with an R&B influence, it failed to catch on. Now with their latest effort, The Block hitting stores, they instead went with a more "urban pop" sound that manages to stay relevant but lacks substance.

NKOTB at their first comeback performance on the Today Show. From left to right: Jonathan Knight, Donnie Wahlberg, Jordan Knight, Joey McIntyre, and Danny Wood.

From the get-go, you can tell The Block won't be a big vocal showcase. None of it sounds bad, but you can tell tools like Autotune and voice modifiers have been used to mask some of their group weaknesses. "Click Click Click" sort of became the anthem for their comeback, which has a nice R&B groove that fits with main vocalists, Jordan, Joey, and Donnie. The song talks about a guy taking pictures of his girl, which is a theme seen throughout the album. Their first true single, "Summertime" takes a safer approach, echoing their classic pop style more than any other track. The song certainly created a buzz, and their most recent single aptly titled "Single" is a collaboration with Ne-Yo. It gradually eases the listeners to their R&B/pop shift, but the overall tone of The Block will most likely alienate many expecting typical ballads or pop songs. One of the biggest things that stand out is the good production quality. Donnie is one of the main producers of the album, collaborating with others like Timbaland, Red One, and Polow da Don. None of the tracks would sound out of place on typical Top 40 radio or with R&B artists like Chris Brown. However, the lyrical content remains mostly uninspired and repetitive. As mature adults, it's a little surprising that most of their songs still talk just about sex. "Sexify My Love" and "Lights, Camera, Action" are just a few that are pretty self-explanatory. "2 In The Morning" is one of the few that actually show a little variety and depth, a slower-tempo track that discusses issues with a wife or girlfriend.

A collaboration with Teddy Riley and The Pussycat Dolls on "Grown Man" isn't a bad song, but it's typical pop fare. Timbaland's track, "Twisted" sounds a little different from his typical work. Sounding a bit more dance/techno-inspired, it has an interesting hook and beat. The tongue-in-cheek title, "Full Service" features original boy band, New Edition and is one of the more fun songs that really works. The final track, "Stare At You" is the closest thing to a ballad, but it doesn't quite resonate like their older songs. The deluxe version comes with four bonus tracks, and I think they sound better than some of the official album tracks. "One Song" has a nice dance groove, while "Don't Cry" is a nice mix of ballad and solid back beats. "Officially Over" sounds like it would be an appropriate closer with a fun jingle-like beat and vocal flow. The final song, "Looking Like Danger" is more of a typical urban pop track. One of the surprising omissions is the exclusive iTunes album track, "Close To You". Initially teased in an early video hinting at their comeback, it's a simple classic NKOTB-style track with mostly just a piano and their harmonies. I think it's one of the better songs to come from this album session, which is a shame that many won't hear or know of it.

Overall, the big New Kids on the Block comeback seems more about nostalgia than anything else. While the group members made it more about the music, there are very few tracks that really stand out on the new album. They did a great job of making modern pop music, but their vocal performances are weaker than the production itself. The repetitive and overused sexual content is a bit tiring as well. NKOTB always placed an emphasis on performing and touring, which this album should facilitate appropriately. But if they decide to stay together for another album, I hope they add more variety.

Read more...

Monday, June 2, 2008

Utada Hikaru At a Glance

The cover of her 2006 Japanese language album, Ultra Blue.

Among certain sects of anime/video game/music fandom, she needs no introduction. Utada Hikaru is one of the biggest and best-selling artists of all time in Japan, with numerous chart-topping songs, digital downloads, album sales, and much more. She has cemented herself as an international star, most likely best known overseas for her two theme songs in the Square Enix/Disney Kingdom Hearts video game series. There are both English and Japanese versions of each song, with “Simple and Clean"/"Hikari” and “Passion"/"Sanctuary” coming from the first and second games, respectively. Currently at the age of 25, she has accomplished much in her career and comes from a unique background. Born in New York and with both parents in the music industry, she is well versed in both the American and Japanese culture and has a charm, personality, and talent that aren’t quite matched by other popular artists in Japan. Her huge success in the “j-pop” genre has granted her unprecedented musical freedom in Japan, but she has also dabbed into R&B, Dance, and Electronica in her releases. Currently producing under the name ‘Utada Hikaru’ in Japan under EMI Music Japan and the name ‘Utada’ with Island Records/Island Def Jam for her English releases, she has a sound and skill that goes beyond language barriers.

Promotional material for her English language album, Exodus.

Her first major release was under the name Cubic U and was actually an English language R&B album. Recorded and released when she was 15, her debut album Precious released in 1998 and included original tracks and a cover/first single in The Carpenters’ “Close To You”. She was initially hesitant to enter the music industry and follow in her parents’ footsteps, but soon found the passion for music that has driven her. After various problems caused its failure in the US, she was later encouraged to release the album in Japan and record a Japanese language album. She moved to Japan the following year, which began her musical reign in Japan. Her first three albums, First Love, Distance, and Deep River released through 2002 and had the more rigid j-pop sounds and structures that their music industry follows. Her subsequent singles included more unique orchestration with songs like “Colors” and the Kingdom Hearts theme song, “Simple and Clean"/"Hikari”. Taking samples from one of her previous songs, she created the English version before the Japanese one. This song put Utada on the radar of many gamers, which released in 2002 as well. After many hit singles and sales, she made her re-debut in America under the name Utada. Seeing this as a chance to experiment and do new things, she ignored the critics and musical expectations, going with a more dance/electronica/R&B sound rather than the j-pop tunes she was known for. Working with such producers like Timbaland and the Def Jam label, she released Exodus in 2004 to a lukewarm response. While some fans blame the lack of real promotion or exposure on the part of the record label, this allowed Utada to grow as a musician and marked more of an evolution of her music.

Utada Hikaru has recorded English and Japanese versions for the theme song of both Kingdom Hearts games.

After returning to Japan in 2005, she released her next album, Ultra Blue the following year. The album included the theme song to Kingdom Hearts II, “Passion”. However, the English version called “Sanctuary” has yet to see an official release. Ultra Blue also marked her return to touring after many years, including songs from her Exodus album. After another string of number one hits, she most recently released her next album, Heart Station with a more mature approach and look. Her image has been associated with her long hair, which she decided to cut while working on Heart Station. Aside from her recent album, a region-specific collaboration undertaken by R&B artist Ne-Yo led him to work with various international artists including Utada. A remix of “Do You” was released exclusively in Japan late last year, including English vocals from Utada. She has stated that she has been living in New York working on her next English language album with Island/Def Jam, slated for a 2008 release date. While details are unknown, a recent licensing for a song called “Apple and Cinnamon” was found from her parent company BMI. Famous production duo Stargate was listed in the song, creating such tracks as Beyonce’s “Irreplaceable”, Rihanna’s “Take A Bow”, and Ne-Yo’s “So Sick”. Speculation is that Utada will be going for a more hip hop/R&B sound rather than the more experimental sounds of her previous English album.

Despite her celebrity and status in Japan, glimpses into her personality and daily life shows how humble and genuine she seems to be. She writes semi-regularly in her official blog, and shows a bit of her personal side as well as the regular music, promotion, and whatnot. Although she has an English version, it doesn't currently contain any posts. Since there is not an official translation available, unofficial transcriptions has been made by fans. While some may be turned off by Japanese music in general because of the language barrier, she should be given a chance. Like some other Japanese artists, she captures the essence, emotion, and message of the song and her music beyond the lyrics. And with her next English album coming this year with hopefully more promotion, she could be one of the first breakout Asian artists to hit the US.

Read more...

Our Blogger Templates  © 2008

Back to TOP